Edward Albee, in full Edward Franklin Albee, (born March 12, 1928, Washington, D.C., U.S.—died September 16, 2016, Montauk, New York), American dramatist and theatrical producer best known for his play Who’s Afraid of Virginia Woolf? Playwright Edward Albee's early popular one-act plays, including The Zoo Story (1959), established him as a critic of American values.
Click on the links below for guides to Edward Albee’s plays and other works. Guides include a synopsis, performance dates, revealing quotes from Albee, and more. Entries marked with (.) contain a complete plot summary and a detailed critical analysis with works cited. Entries marked with † are award winning works. 1959 – The Zoo Story (.) †. The American Dream, one-act drama by Edward Albee, published in 1959 (with The Zoo Story) and first produced in 1961. This brief absurdist drama established the playwright as an astute, acerbic critic of American values. The American Dream addresses issues of childlessness and adoption. Edward Albee has defined modern American theater with four decades of provocative, controversial and brilliant plays. Lauded as “one of the eter-nal innovators” in American drama, he challenges audiences with stories that express the bone-simple, shattering truth of the human experience.
Edward Albee is often considered one of America's greatest modern playwrights, known for his biting wit, his mastery of dramatic tension, and his grasp of the 'Theatre of the Absurd,' a movement first established in the work of Samuel Beckett and Eugene Ionesco. Albee was born in Washington, DC on March 12, 1928. When he was two weeks old, baby Edward was adopted by millionaire couple Reed and Frances Albee. The Albees named their son after Reed's father, Edward Franklin Albee, a powerful vaudeville producer who had made the family fortune as a partner in the Keith-Albee Theater Circuit.
Young Edward was raised by his adoptive parents in Westchester, New York. Because of his father's and grandfather's involvement in the theatre business, Albee was exposed to theatre throughout his childhood. From early on, Edward's mother, Frances, worked to groom her son into a respectable member of New York society. The Albees' affluence meant that Edward's childhood was filled with servants and tutors. He went to afternoon meetings in the family Rolls Royce, he took riding lessons, vacationed in Miami in the winter, and learned to sail on Long Island Sound in the summer. In 1940, twelve-year-old Edward entered the Lawrenceville School, a prestigious boys' preparatory school. During his high school days, he shocked school officials by writing a three-act sex farce entitled Aliqueen. At the age of fifteen, the Lawrenceville School dismissed Albee for cutting classes. Hoping to inspire some discipline in his wayward son, Reed Albee enrolled his son at the Valley Forge Military Academy. Within a year, Valley Forge dismissed Albee.
Even as a teenager, Edward was a prolific writer. In 1945, his poem 'Eighteen' was published in the Texas literary magazine Kaleidoscope. In his senior year at Choate, Edward's first published play Schism appeared in the school literary magazine. After graduating from Choate, Edward enrolled at Trinity College, a small liberal arts school in Hartford, Connecticut. While there, Edward irked his mother by associating with artists and intellectuals whom she found objectionable. During his days at Trinity College, Edward gained a modicum of theatre experience as an actor, rather than as a writer. During his sophomore year, in 1947, nineteen-year-old Edward was dismissed from yet another school; Trinity College claimed that he had failed to attend chapel and certain classes. Despite his mother's objections, Edward moved to New York City's artsy Greenwich Village at the age of twenty. He supported himself by writing music programming for WNYC radio. In 1953, young Albee met playwright Thornton Wilder. Later, he credited Wilder with inspiring him to become a playwright, advice he did not follow for a few more years. Over the next decade, Albee lived on the proceeds of his grandmother's trust fund and held jobs as an office boy, record salesman, and Western Union messenger.
In 1958, Albee wrote his first major play, a one-act entitled The Zoo Story. When no New York producer would agree to stage it, Albee sent the play to an old friend, who secured its first production in Berlin. After its success abroad, American theatre producer Alan Schneider agreed to produce The Zoo Story Off Broadway in a double bill with Samuel Beckett's Krapp's Last Tape. This early association with Beckett served to cement Albee's connection to the Theatre of the Absurd. In fact, The Zoo Story was at the time of its production hailed as the birth of American absurdist drama.
Immediately, Albee became perceived as a leader of a new theatrical movement in America. His success was in part predicated on his ability to straddle the traditional and the avant-garde, combining the realistic with the surreal. Critics of Albee can rightfully see him as a successor to American playwrights Arthur Miller, Tennessee Williams, and Eugene O'Neill, while at the same time unmistakably influenced by European playwrights like Samuel Beckett, Jean Genet, and Eugene Ionesco.
Over the following years, Albee strengthened his reputation with a series of one-act plays, including The Death of Bessie Smith and The Sandbox, the latter of which he dedicated to his beloved grandmother. In 1961, The American Dream addressed themes that he would continue to explore throughout his long career. That same year, Albee adapted an unsuccessful production of Melville's short story Bartleby with his friend William Flanagan. Despite the success of his original work, Albee's adaptations—of Carson McCullers's The Ballad of the Sad Cafe in 1963 and of James Purdy's Malcolm in 1965—have not been critically or popularly successful. Critics described them as static representations of literary works, simply transplanting existing scenes from the books to the stage.
Albee's real successes have always come from his original and absurdist dramas. His first three-act drama, and the play for which he is still best known, is Who's Afraid of Virginia Woolf? produced in New York in 1962. It became immediately popular and controversial. While it was initially set to win the Pulitzer for Drama, when it came time to award the play, the committer reversed its decision. Nonetheless, the play received the Tony Award and New York Drama Critics Circle Award.
In 1963, Albee joined with two friends in creating an absurdist group called 'Theater 1964,' which produced, among other things, Beckett's Play and Pinter's The Lover at Cherry Lane Theatre. After Malcolm closed after only five days, Albee rebounded with the success of A Delicate Balance in 1966. For this play, he received the Pulitzer Prize. Albee continued to write plays throughout the 1960's and 1970's. Everything in the Garden, adapted from a play by Giles Cooper, was produced in 1967, followed by: the original plays Box and Quotations from Chairman Mao Tse-Tung in 1968; All Over in 1971; and Seascape in 1975. For Seascape, Albee was awarded a second Pulitzer Prize. Counting the Ways and Listening, which initially debuted as a radio play in England, was staged in New York in 1977. Throughout the 1980's, Albee's playwriting career failed to produce a substantial commercial hit. Plays from this period include: The Lady from Dubuque (1980), an adaptation of Lolita (1981), The Man Who Had Three Arms (1983), Finding the Sun (1985), and Marriage Play (1987). During this time, Albee also taught courses at various universities, especially in Houston, TX, and maintained his residence in New York.
Edward Albee Plays Pdf Online
In 1994, Albee experienced a much-awaited New York success with the play Three Tall Women. That play earned Albee his third Pulitzer Prize and his first commercial hit in over a decade. Three Tall Women also won the New York Drama Critics Circle Award and the Outer Critics Circle Award. Since that time, Albee's productions include: Lorca Play (1993); Fragments: A Concerto Grosso (1995); The Play about the Baby (1996); Occupant (2001); The Goat, or Who is Sylvia? (2002); Knock! Knock! Who's There!? (2003); a one-act prequel to The Zoo Story entitled Peter and Jerry (2004); and Me, Myself and I (2007).
Edward Albee was a member of both the Dramatists Guild Council and the American Academy of Arts and Letters, and taught courses in playwriting every spring at the University of Houston, the venue where Lorca Play was initially staged. Albee summed up his career thus: 'I have been both overpraised and underpraised. I assume by the time I finish writing—and I plan to go on writing until I'm ninety or gaga—it will all equal itself out. You can't involve yourself with the vicissitudes of fashion or critical response.' Albee died of natural causes in Montauk in 2016.
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Edward Albee Biography
Edward Franklin Albee III was an American playwright known for works such as The Zoo Story (1958), The Sandbox(1959), Who's Afraid of Virginia Woolf? (1962), and A Delicate Balance (1966). Three of his plays won the Pulitzer Prize for Drama, and two of his other works won the Tony Award for Best Play.
His works are often considered as frank examinations of the modern condition. His early works reflect a mastery and Americanization of the Theatre of the Absurd that found its peak in works by European playwrights such as Samuel Beckett, Eugène Ionesco, and Jean Genet. His middle period comprised plays that explored the psychology of maturing, marriage, and sexual relationships.
'He invented a new language — the first authentically new voice in theater since Tennessee Williams,” said playwright Terrence McNally about Albee.
“A play, at its very best, is an act of aggression against the status quo,” Albee told a group of aspiring teen-aged playwrights in San Diego in 1989.
“Too many people get constricted by social norms, miss out by not living a full life,” Albee told the students gathered there. “The important thing is to be yourself absolutely. When I die, I would like to realize I haven't missed out on too much.”
“We don't need an attack on the conscious. We need an attack on the unconscious,” Albee told the New York Times in 1971. “[President] Nixon and the ghettos are particular horrors that have come about because people are so closed down about themselves. …Why does everyone want to go to sleep when the only thing left is to stay awake?”
The purpose of this SDG is to get into Albee’s head, and see how he developed from the beginning to the end. We will read and analyze 14 of his plays, good and not as good- sometimes discussing flaws in a work is more stimulating and rewarding ...he believed good theater is like a mirror making the audience face themselves in it.
Weekly Topics
Edward Albee The Sandbox
The Sandbox (1960) and The American Dream (1961)
Who's Afraid of Virginia Woolf? (1962)
Tiny Alice (1964)
A Delicate Balance (1966)
All Over (1971)
Seascape (1975)
1965 Edward Albee Play
The Lady from Dubuque (1980)
Finding the Sun (1983)
Three Tall Women (1991)
The Play About the Baby (1998)
The Goat, or Who Is Sylvia? (2000)
Occupant (2001)
Peter & Jerry, retitled in 2009 to At Home at the Zoo (Act One: Homelife. Act Two: The Zoo Story) (2004)
Me Myself and I (2007)
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